The writings of William Gilmore Simms (1806–1870) provide a sweeping fictional portrait of the colonial and antebellum South in all of its regional diversity. Simms’s account of the region is more comprehensive than that of any other author of his time; he treats the major intellectual and social issues of the South and depicts the bonds and tensions among all of its inhabitants. By the mid-1840s Simms’s novels were so well known that Edgar Allan Poe could call him “the best novelist which this country has, on the whole, produced.” The twelfth volume in the ongoing Arkansas Edition of the works of William Gilmore Simms, Backwoods Tales brings together three of the best examples of his comic writing. All were written during the last decade of Simms’s life, when he had become a master of his craft. These three tales belong in the tradition of southern backwoods humor, a genre that flourished before the Civil War and produced classic tales by such authors as George Washington Harris, Johnson Jones Hooper, and Thomas Bangs Thorpe. Paddy McGann, “Sharp Snaffles,” and “Bill Bauldy” are all frame tales, told by rustic narrators in authentic dialect, with frequent pauses for libation and comment. These three pieces of writing, never before published together, stand among the best examples of American humor of the nineteenth century.

The writings of William Gilmore Simms (1806-1870) provide a sweeping fictional portrait of the colonial and antebellum South in all of its regional diversity. Simms's account of the region is more comprehensive than that of any other author of his time; he treats the major intellectual and social issues of the South and depicts the bonds and tensions among all of its inhabitants. By the mid-1840s Simms's novels were so well known that Edgar Allan Poe could call him "the best novelist which this country has, on the whole, produced." The thirteenth volume in the ongoing Arkansas Edition of the works of Simms, The Partisan is the first in order of publication of Simms's Revolutionary War romances. Although Simms took advantage of the novelist's prerogative to invent characters and events for his saga, he did so with a historian's eye, making extensive use of official histories; letters, diaries, and other documents; family traditions; and unpublished and published memoirs. Simms gives human interest to the novel's historical framework with two love triangles, mixing romantic conventions with gritty realism that outlines the four classes of Simms's ideal society. The Partisan is also remarkable among Simms's work for its use of symbols, indicating, perhaps, a new intention for the novel. The result is a satisfying work of literary art enlivened with adventure and humor while remaining true to the history behind it.